Refers to words on the screen like the scroll in Star Wars or the little titles telling you in what city or time period the script takes place. This style of cut is usually used to convey destruction or quick emotional changes.Ī screenplay not commissioned by a studio or producer. SMASH CUT TO:Īn especially sharp transition. Slug Lineĭenotes a new scene in the screenplay. This is the truly final draft used on set by the production people, actors, and director to make the movie from the screenplay. This became popular with found footage movies but generally refers to the first person advantage as seen in movies like Halloween.Īfter a slugline a scene describes what happens in a particular place at a particular time. ParentheticalĪn emotion or action put before the dialogue and under the character’s name to let the actor know how they should say the line. Maybe a character is yelling to another one or throwing something - it describes anything not taking place on the screen. Montage:Ī numbered sequence in a story that shows one or several characters completing a series of actions. MATCH CUT TO:Ī transition between scenes where one thing becomes another like jumping into a pool that matches to the same character diving into bed. This type of edit gives the effect of jumping forwards in time. JUMP CUT TO:Ī cut in film editing in which two sequential shots of the same subject are taken from camera positions that vary only slightly. When a character enters during a scene and you want to highlight that entrance. Like a boy eavesdropping on his parents, a phone call in two different places, or the murder of all the mob bosses in town during a baptism. Used to show different scenes happening at the same time. Producers will use this to tell what sets need to be made. You can also FADE TO: on the left - usually used for scenes that transition in longer lengths of time. You FADE IN: on the left and FADE OUT: on the right of the page. This is mostly for a Producer to help figure out the cost of the movie. ESTABLISHING SHOT:Ī shot from a distance telling us where we are - New York City? The Dust Bowl? The Congo?Įxterior. Stylistically shows one image dissolving into another. “Thank you sir, may I have another?”Ī transition mostly used in older films. Continuous refers to action that moves from one location to another without any interruptions in time – like a high speed chase through a mall with different stores.Įnds some scenes to provoke a reaction – you can cut to a joke, or to the opposite of what a character recently stated. Sometimes, instead of DAY or NIGHT at the end of a SLUGLINE/Location Description, you'll see CONTINUOUS. When you want to draw a reader’s eyes or imagination to a particular object on the screen like a text message, a sled named rosebud, or a scar. CharacterĪll CAPS the first time you meet them in the Action. The scene description, character movement, and sounds as described in a screenplay.Ĭan be used in the parenthetical or action to indicate a pause in the character’s dialogue or movement. However, in the end, always use anything beyond location, scene heading, and dialogue sparingly. Sometimes you'll need to be CLOSE ON something important in the script, or a sequence may require you to utilize CONTINUOUS within the scene heading. Screenwriters should always avoid directing the camera within the script. In regards to the more technical format terms, remember that they should be used only when necessary. Below are the top screenwriting terms and their general definitions. Knowledge is power and it's always good to know your trade terms.
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